Here’s John William Godward, “Absence makes the heart grow fonder”, from 1912. I have been sharing his work: solitary, pensive young women under blue Mediterranean skies, usually dressed the same way: a long crinkled dress with that slashed sleeve detail, a contrasting strip of cloth tied around the hips, a girdle below the bust. The hair may be tied, as here, or loose. When visible, feet are bare or in sandals. There is always a marble wall or bench, and flowers, and sometimes trees, the sea, a statue, a cat, a letter, an aqueduct, furs…
Here is a variation of dress.
I love the colours of the clothes. Mondrian would paint quadrilaterals in an irregular grid, Godward wraps and dresses.
You might think him Pre-Raphaelite, but Wikipedia tells me he was a protege of Lawrence Alma-Tadema. There is a story that he wrote in his suicide note, “The world is not big enough for myself and a Picasso”. I love them. I love the care lavished on them, the veins in the marble, the drape of the cloth. I love the beauty of the surroundings, and imagine myself as the women reclining there. I have a few more to share, and will continue including them, in order of date of creation, in my posts, because I find them beautiful.
They are very beautiful pictures. I love the Alma-Tadema tradition of classical representation, late Victorian/Edwardian ladies lounging in marble garden seats impossibly high above a stylised Mediterranean! It’s fantastical but gorgeous. Sue x
LikeLiked by 1 person
The quality of light did not change when he moved to Italy. It seems closer to English summer than Mediterranean. And they are beautiful.
LikeLike
Absolutely stunning portrayals with the colours and the crinkles of fabric. Yes, a gorgeous and inviting lifestyle!
LikeLiked by 1 person
The colours, the emotional expression, the incidentals such as flowers or fur, they are completely beautiful.
LikeLiked by 1 person