Narratives

Truth [is] what we cannot change; metaphorically, it is the ground on which we stand and the sky that stretches above us.

And yet, the totality of facts and events is unascertainable. Who says what is always tells a story, and in this story the particular facts lose their contingency and acquire some humanly comprehensible meaningSorrow, joy and bliss become bearable and meaningful for men only when they can talk about them and tell them as a story.

I tell stories about my life. So do you. Possibly, with Krishnamurti I should just forget them. Why am I happy now? Because of X. Ah. That gives me an understanding, I can file it away. I know what is going on. I can remember that happiness later: it was caused by X. And if X also caused that misery, possibly the learning was worthwhile, possibly it is time to cease pursuing X.

Decisions are emotional not rational. It is like jars filling up with cumulative water droplets, and eventually one overflows and I must do X. Then I can tell a story about it. X was obviously the only thing I could ever have done, for these reasons. The story helps me accept what I have chosen, pacifies and calms my remaining resistance.

It is an end to thinking of the matter. I have thought enough. Or it is an attempt to end thinking; unconsciously, my resentment grows.

What we cannot change- so, what ought to be is meaningless and impossible and worthless. Ought is a damaging fantasy, because though you cannot make is from ought, it can make you disbelieve or resent what is. But what is includes what might be, what is possible, all the changes I can make.

I have read Truth and Politics by Hannah Arendt, and consider her thought that feelings become bearable when part of a narrative relates only to the conscious mind, thinking in language. The feeling of terror feels overwhelming until I accept and welcome it. What is overwhelming is its demand to be recognised, not the feeling itself. It fits Now. And then, it does not fit Now, so it goes away, unless I cling on to it, perhaps by questioning it or saying I ought not to have been terrified. Or I tell stories about it.

I can gain an understanding of feelings, at the price of them always being with me. Telling stories about my past might pacify my feelings- it’s alright, my honey, love, it’s alright, my poppet- but distances me from them; and they lurk, underneath, always liable to burst out, which is the constant failure. No game is enough to control my feelings.

Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it.

And- X may happen again! I will be terrified, again!

Words are so useful. Speech impels us… to urge the mind to aftersight and foresight. I think of what might be though probably won’t, because it will never be that bad again. I imagine the fear I would feel. Then I am afraid of fear, afraid of feeling fear and being powerless.

Yet normally I am not powerless; and powerlessness has to be bearable.

olga-boznanska-self-portrait

Go on, you know you want to

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