Every child has known God…
The God who only knows four words,
and keeps repeating them, saying,
Come, dance with me
Come, dance.

This was the first Hafiz poem I heard, and I loved it, and wanted to hear more. It is rendered into English poetry by Daniel Ladinsky. Compare and contrast

For our concern was speech, and speech impelled us
To purify the dialect of the tribe
and urge the mind to aftersight and foresight

This comes from the second movement of Little Gidding. The monkey mind’s continual searching of past and future rather than being in Now might be thought of as a search for “Aftersight and foresight”.

I see these artists as naming here two equal ways of being, yin and yang. I had a rationalist phase, when I thought anything might be explained and understood, and then mysticism began to appeal to me, began to seem more than woo-woo gibberish, and I began to value being without words, stilling the mind, being in the moment.

And now I seek to get the full benefit which words and arguments can give me. They can take me to the verge of Unknowing, into which I can just jump off. But they just might protect me from that which might fool my mystic side, might have the appearance of truth. There is a constant I, that part within my skin that Wants; and what it wants is fulfilment, whatever that might mean; life in all its fulness, love and truth. Connection with others. And this I journeys on using better the tools in me to find these things, tools of rational judging and evaluating with words, and tools of spontaneous relating and responding. Rational analysis can see things which spontaneous relating cannot. Spontaneous relating can see things which rational analysis cannot. Behind all is the drive of desire.

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